Y. Nézet-Séguin: Brahms Cycle IV

Summer Festival 2022: Seong-Jin Cho, Piano

Description Program Artists

Brahms's Second Piano Concerto was completed in 1881, fourteen years before the Old Railway Station, the entrance building of today’s Festspielhaus. The proximity in time sheds light on a related aesthetic, the Repräsentationsstil, a magnificent meta-style that incorporated all previous styles. In Brahms's piano concerto, for example, we find borrowings from Beethoven, Schubert, and Schumann. This approach had its antecedent in the symphonies of Louise Farrenc, since she too was a musical architect. Countering the urge to reform after the death of Beethoven, she focused on style, form, preservation, cultural skepticism, and industrial progress. A conservative aesthetic that stands in contrast to the growing fluidity of form in Romanticism.

Photo that shows 43B Cho Seongjin04 C Christoph Koestlin Dg.

Program

Johannes Brahms
Piano Concerto No. 2 in B-flat major, op. 83

***

Louise Farrenc
Symphony No. 2 in D major, op. 35

Performance ends at approx.: {{ selectedDate.end.time }} Uhr
Sponsor: {{ sponsor }}
Presented by: {{ presenter }}
In cooperation with: {{ cooperation }}
In collaboration with: {{ collaboration }}

Artists